December 11, 2012
Pin-up project space announce Lucy McRae (Body Architect) as their 2013 Summer resident. She will be turning the gallery space into a ‘live lab’. this should be an exciting residency.
October 15, 2012
October 11, 2012
Yesterday I visited The Welcome museum’s exhibition ‘Superhuman’ which is on until the 16th October 2012. I always enjoy the integrity of the museum’s exhibitions and this one also did not fail to please on this count. This is a thought-provoking exhibition and it certainly gave me pause for thought.
I came away feeling that I had seen an exhibition about being human, feeling human, and something of what it means to be human. In its showing of our history of prosthetics and enhancements, we see how we have always strived for physical and mental improvement through the use of tools. Whether this be an Egyptian big toe prosthesis, to Viagra and the future possibiliites of cognitive enhancement through the use of designer drugs. Though my preferred cognitive enhancers are my smartphone and caffeine!
What was also highlighted is the need of humans to impose such prosthetics on those deemed incomplete or in need of enhancing. Here we see the footage of children whose mothers had taken the drug thalidomide during their pregnancy, attempting to use the prosthetic devices made for them. What was powerfully shown was how disempowering such interventions could be for the subject of them. It showed our human fragilities and strengths not just by and through its subjects but by those who engaged with the subjects and attempted to improve their lives.
The exhibition begins fittingly, with a small sculptured figure of Icarus who flew too high with his wings of feathers and wax, where the sun then melted them and he fell to his death.
It seemed to highlight not only the human being’s prosthetic impulse, how we will always find and create the tools to enhance and augment our abilities. But that along with this impulse there is also a compulsion to push this to its or to our limits. As Emily Sargent points out a key aspect of the human enhancement argument debate is ‘the question of not just what is possible but at what point we should stop.’
This point came back to me at various points of the exhibition, and none more poignantly than to read about and watch the film footage of Tom Simpson who died in the 1967 Tour de France from severe dehydration after cycling through his body’s human limitations on a mix of amphetamines, alcohol and a desire to win. Here I watched a live Icarus of his time take himself to the extremes of human physical endurance and use enhancing substances which ultimately led to his death.
I also could not help but be moved by Mosen Makhmalbaf’s film ‘Kandahar’, watching the men with amputated limbs chasing the prosthetic limbs being parachuted into Afghanistan. And the opening scenes of this short film where a husband is determined to bring back suitable legs for his wife, ones which looked feminine and fit the shoes she had worn on her wedding day.
In this entire exhibition, which was a good mix of art and science, the personal was virtually always at he the forefront. The implications of lacking something physically and how we may or may not need to compensate for this not only physically but emotionally too.
This was no more highlighted than by Revital Cohen’s installation entitled Immortal with its interconnected life-support machines, where the missing link was a human.
At a time when we are all enhanced (biochemically through vaccinations; cognitively through smartphones or even Google alone; physically through the sportswear that helps improve our performances), this exhibition is very timely, particularly since it opened with the Paralympics , where a small seed change happened in the (inter)national psyche in how we viewed those people with disabilities and even more abilities perform at the top of their game.
This was an exhibition that showed us work at the boundaries of science, the boundaries of being human. It also brought us to the art that explores the issues at these boundaries. Superhuman is there to show us all something of being and feeling human.
The Art and Design of Contemporary Jewellery
A Design Museum, London touring exhibition Unexpected Pleasures looks at what we mean by jewellery from a number of different perspectives. Taking as its starting point the radical experiments of the Contemporary Jewellery Movement that challenged a conventional understanding of the language of personal adornment, and looking instead at the essential meanings of jewellery, the exhibition brings together important work from around the world, and looks at it from the point of view of the wearer as well as the maker. Contemporary Jewellery in this sense is at the intersection of art and design.
Curated by Dr. Susan Cohn for the Design Museum, London with exhibition design by Ab Rogers Design and graphics by Barnbrook.
Us in London will have to wait until 5th December 2012 for this touring exhibition though its possible to read the book now.
November 25, 2011
Ingredients 5- the latest issue from Chris Lefteri is now available. always a great read!
Personal Air units! How long before these actually catch on?
August 13, 2011
Lucy McRae works with Harvard biologist Sheref Mansy to create Swallowable Parfum. On swallowing a digestible capsule, your skin then excretes fragrance molecules during perspiration, becoming a ‘biologically enhanced second skin’.
Lucy McRae has explored these boundaries of skin, fashion and tech-science.
She has previously worked with Bart Hess, together working with the themes of prosthesis, body and fashion